Tag Archive for: Writing Tips

Vida Cruz, WotF 2nd Quarter 2017 winner

Meet the Winners – Vida Cruz – 2nd Q 2017

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When it comes to writing advice, many writers will tell you not to stop writing. I’m going to be contradictory for a bit and tell you that yes, you should stop—at the right time, for the right reasons.
Anker Grossvater painting

The Problem of the “Told” Story

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I have talked about some of the most frequent problems that I see when judging for the Writers of the Future Contest, and today I’m going to tackle one of the biggest: the problem with “told” stories.
Agent man

Your First Five Pages

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A writer pointed out today that when you send a novel to an agent or publisher, they normally ask for the first five or ten pages, just so that they can gauge your writing skill. If those pages don’t grab the reader, it won’t sell. So, he wondered, what do I look for in those first five pages?
Magic keyboard

“Boosting” Your Prose

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I earlier mentioned that when I used to write for competitions, I would make lists of ways that judges might look at my work in order to grade it. For example, some judges might look for an ending that brought them to tears, while another might be more interested in an intellectual feast. A couple of you asked what my list might look like. So here is a list of things that I might consider in creating a piece.
David Farland speaking to several of the 2017 Writers of the Future winners: (l-r) Stephen Lawson, Ziporah Hildebrandt and Molly Atkins

Multidimensionality: The Value of Subplots

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Very often when reading slush for the Writers of the Future contest, I come upon stories that at first glance seem to be perfectly acceptable. They presented a protagonist who had a problem to overcome. The setting was reasonably well defined. The story proceeded at a good pace, with the problem escalating nicely. Often there was a surprise twist at the ending, and the conclusion seemed appropriate. Yet when I got done reading the story, it just lacked ... something.
Brandon Sanderson addresses the Writer winners

The Fine Distinction Between Cooks and Chefs

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A lot of people want to give you writing advice. I’ve felt it—trust me, I’ve been there. During my long years trying to break in as a writer, I felt that I never lacked for someone jumping in to tell me how this writing thing had to be done.
David Farland speaking to several of the 2017 Writers of the Future winners: (l-r) Stephen Lawson, Ziporah Hildebrandt and Molly Atkins

Parts to a Story – From the inciting incident to the denouement

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I earlier talked about the first four parts of a story—setting,…
Man reading a book

Grounding Your Reader

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One reader asked me to discuss a bit about what I call “grounding” the reader. Quite simply, grounding is the fine art of letting the reader know what is going on. You need to focus on some basics...
David Farland speaking to several of the 2017 Writers of the Future winners: (l-r) Stephen Lawson, Ziporah Hildebrandt and Molly Atkins

What Makes a Story Great?

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Recently I’ve had a number of my students ask, “What makes a story great?” For example, what sets apart a story that wins major awards from one that doesn’t? What makes one story monumental, a landmark in its field, while another story fades from memory?
David Farland speaking to several of the 2017 Writers of the Future winners: (l-r) Stephen Lawson, Ziporah Hildebrandt and Molly Atkins

Persistence

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There is a myth among the general public that the greatest writers are born with uncanny innate talents that average folks dare not aspire to. Yet there is only a sliver of truth to that argument. Talent is helpful, especially for new authors who are just trying to break in, but you can’t make a career out of it.