Learning to Call Myself an Artist
Life takes you down unexpected roads. Some of them lead to adventures and evoke laughter and wonder. Others are darker paths, and we all, at one time or another, get to walk both. I’ve done my miles on those highways, both good and bad. Eventually, I have found myself here, exactly where I belong: working as an illustrator.
I started out like many of us creatives do, I suspect, drawing on walls, making marks, and being that kid. A little quiet, a little reserved, and living in my own little world. If I wasn’t reading, I was drawing, and as it turned out, I had some ability. I vividly remember at a young age always wanting to add illustrations to my stories at school. I was always more interested in that part of the stories, much to my teacher’s exasperation. In the end, I think they gave up telling me to stop and just accepted that it was going to happen. My exercise books were covered in doodles; every page usually had something scribbled in the margins. It was (and still is) a compulsion. I don’t mean this as a negative thing; it’s just a part of me, and I MUST draw. Like I must eat and drink.
This carried on through school, and I had ambitions of going to art school and drawing and painting book covers or movie posters. This was back in the 80s when I think the art of illustrated movie posters peaked. I have a framed and signed print of The Thing poster by the great Drew Struzan (still one of my favorites) hanging in my work room. While my dad was supportive and said, as he always did, “Make yourself happy.” The opportunities just didn’t happen. I lived in a small mining town just outside of Leeds in the north of England. Career choices were limited to: you either worked in the mine, or you didn’t.
Consequently, I moved away and ended up following a very different career path, which, while it has served me well, has not been fulfilling. I always had in the back of my mind that itch that I couldn’t scratch. That old compulsion was still there.
Eventually, the chance came along, and I took it. I went to art school and learned the tricks of the trade but still couldn’t quite bring myself to call myself an artist. I just wasn’t ready. Some people are there right out of the gate. This is what they are, and they can say it loud and proud. Not me. I needed the time, and I took a lot of it, years and years.
At some point, I stopped making art, and for a long time, I gave into the pressure of what the world said I should be. I sort of felt like it was pointless to keep trying. I was getting nowhere and decided I should try to knuckle down and concentrate on my “proper” job. But it felt like a piece of me was missing or locked away. It’s hard to describe the feeling adequately. I did other things, and I was happy, but there was always that feeling of being incomplete. I don’t even remember how I started drawing again. I probably never stopped 100%. I was doodling or something all along, and it just crept back in. So, I embraced it and stopped fighting it.
I entered the Illustrators of the Future competition many years ago and managed to get an Honorable Mention the first time, and then I was a Finalist the second time. I stumbled across the certificates buried in my file cabinet last year when I was doing a purge of paperwork and thought to myself, why not? So, I did.
I’d been back at painting for a few years, so I put together 3 paintings and submitted them.
Life went on. I was used to the idea of “I paint for me now,” which made me happy (the best reason for making art), and I was OK with it. I picked up the odd freelance commission, but it was more of a hobby than a vocation. When I got the phone call that I was a Finalist, I was thrilled and thought it was great. But I never expected to be a winner. That call came a few days later, leaving me at first in shock, then amazed. I spent six months until the awards show and workshops, and I spent a lot of time evaluating myself and painting. Maybe I was an artist, and maybe that was alright.
I think for me, the point that I was finally able to say Yes, I am an artist, was when I was surrounded by the other winners. When I realized there were other people who think like me. Maybe it was validation, a combination of being a winner and finding my tribe. Maybe it was just that I was ready. Whatever it was, I’m there, I’m ready. I am finally comfortable calling myself an artist or, more accurately, an illustrator (there is a difference). It took me a while, maybe longer than most. I’ve been walking down that road for a long time. I took a few side streets and wandered off the map, but those side quests all helped me. Without them, I might never have been ready. All I can say with any certainty is I got there in the end.
Steve Bentley is from Leeds in the north of England, where he spent most of his childhood. He traveled widely before settling in Portland, Oregon. He has a degree in Art, Design, and Animation, but his passion is in Illustration, which is what he now concentrates on. He works almost exclusively in traditional media, mainly because he enjoys having a physical piece of artwork in his hands. He enjoys reading, movies, and, above all, drawing and painting. He hopes to expand on his freelance work and eventually turn to making art full-time.
Thank you for sharing your experience. It’s so difficult to consider ourselves members of the club until other club members take us in, shake our hands, and pin us with our officially-licensed name tags. We were members all along, but that external validation always feels good!
I hear you Steve. I’ve lived a similar artist life to yours. After a long while, you just grow tired of trying until one day you say…’what the heck !” one more push can’t hurt. And now you are here where youve always dreamed of being. I sincerely congratulate you on your sudden success. But no one knows what you’ve really had to endure except yourself. At least your story still gives me hope to keep on. I have also been an active participant on and off in IOTF since 1998. Six HM’s, One July 2009 Semi-Finalist critique by John Lindahn and here I am still standing and still battling the waves of time. Maybe I can also say something similar to you in the near future.
Thanks for sharing your experience. I think the visual arts, especially, can present a psychological hurdle that is difficult to overcome because many people out there like to sketch, draw and doodle. So we, as artists, often feel like, why should I call myself an artist when so-and-so doesn’t and their work is amazing? But that’s one of the great things about creating art and literature. Often it takes the beholder to see the unique genius in the thing, even when the creator fails to. Cheers from Tokyo!
Thanks for the kind words everyone, I’m a little tardy with my response So I’m sorry about that. Its been a journey and it continues I’m busier that I had any right to expect which is great. So much so that I’m considering taking the plunge as a full time illustrator. IOF has been a massive part of that and contiues to be so. Keep at it everyone